About domes, lenses and sensors

Examples of three types of ' ideal' domes aligned with the nodal point (blue dot) of the lense on the camera. A: mini dome, B: larger dome with segment cut off the hemisphere and extended port (in red), C larger hemispheric dome ('super dome'). Thick black line: back of the dome. B; thin vertical line, back of hemisphere from which the dome was cut. Most large domes are 'multifunctional'; they will fit different wide angle lenses, which means that alignment with the nodal point is not perfect. But this is considered not a big problem, given the greater distance of the virtual image and smaller curvature of the domes.

Light behaves differently when it passes from water into air. Due to refraction, flat ports magnify the apparent image and reduce the angle of coverage of a lens. This makes this port ideal when using standard, macro or zoom lenses to shoot small subjects. A dome port comes  into play when you use a wide angle or fish eye lense Here the correction for refraction or other aberrations of the lense is a must.

Much has been said already on the merits and types of dome lenses in UW photography, which  I shall not reiterate here. To keep things simple,  I show  here three popular types of domes.  The mini dome, usually  a hemisphere cut out of  a small sphere of 4 inch (100 mm) diameter, and  the larger domes (normally 8 inch, 200 mm or even 9 inch, 230 mm).  The mini dome is mostly used in combination with a fish-eye (FE) lense, that can focus on objects  very close to the front of the dome (virtual image around 15 cm at infinity, see A).   The larger domes have a  virtual image that is further away from the front the dome (around 30 cm at infinity for the  8 inch dome)  and are often used  in combination of with rectilineair lenses.  Most  of the larger domes only use  a segment of the hemisphere (figure B), a few might use a full (or almost full)  hemisphere (C) which makes them rather bulky. Figure B also shows how a port extension can be used to achieve a better alignment of the dome (i.e. the base of its virtual hemisphere) with the lense. In these 'segmented' domes  the radius of the hemisphere is always larger than the actual distance from the  front  to the back of the dome segment. For example in a 200 mm dome the radius is 10 cm   but the dome segment can only be 6 cm deep.   Corner unsharpness can be a greater problem for the strongly curved mini domes. than  for the larger domes with less curvature. On the other hand,  the mini domes are better suited for CFWA (Close Focus, Wide Angle) shots.  Various  tests have been run with  different dome lenses  mounted on cameras with  a cropped sensor (like DX and 4/3 bodies) and full frame sensors (FX). Here are some  'take home messages'   derived from  these tests:

-small sensors Mini domes (100 mm) work best with  cropped sensors (1.5 X  or 2.0 X cropped), and will profit from a good  alignment with the nodal point of a FE lense. Somewhat larger 5 inch (125mm) domes, although not strictly  'mini',  will  also work well with the DX format cameras (1.5 crop). Suitable FE enses for the  DX/mini dome combo  are the Tokina 10-17 mm and Nikon 10.5mm FE.  And for the 4/3 (2.0 cropped) format the Panasonic 8mm F 3.5 or the new and (longer)  Olympus 8mm  F 1.8 with a port extension (see .http://reefphoto.com/shop/index.php?main_page=product_info&products_id=6584

-large sensors.  With  full frame (uncropped) sensors  the mini dome often show parts of the shades of the lens in the image (not to be confused with vignetting, which means darker or less saturated corners resulting from a lense limitation). Moreover, your FE lense (probably a 16 or 15  mm FE) will likely not be able to focus on the virtual image (15 cm or less)  of the mini dome. So, forget (really close) CFWA with the full frame format.

-depth-of-field (DOF), focal length and format *).  Lenses with a  shorth focal length are wider and have a larger DOF that lenses with a long focal length.  In addition, cropped sensor cameras use shorter focal length lenses, with more depth of field for the  same angle of coverage. So an 8mm  FE lense (180 X 180 deg corner to corner)  on a 4/3 camera will have the same size of field as a 15mm  FE on a full frame camara.  But the DOF will be larger for the 8mm/cropped sensor format  than the 15 inch uncropped format.

-Split level images *) ar normally taken with the larger domes. Notice also that there  is no virtual image  of the dome of objects above water. So its important to focus always on the closest subject underwater. With a smaller aperture the large DOF will ensure to get the above water view in focus.

*) See:http://wetpixel.com/articles/review-nauticam-140mm-dome-port-by-alex-mustard/P1

 -FE and rectilineair wide angle lenses (like the  Canon 16-35 lense) mounted on full frame cameras need much larger  domes to get sharp corners and an undistorted image.  That is: 200 mm or 230 mm domes. The smallest acceptable size should be around 170 mm.  But some companies like  http://uwcamerastuff.com/precision_5_dome.htm  make 5 inch Precision domes adjusted with the nodal point of FE lenses like the Sigma 15 mm and Nikkor 16mm,  meant for full frame cameras. Rectilinear lenses will benefit from a close-up lens also called a diopter, like a +2 diopter to focus on that virtual image (30-20 cm or less).  But  its all relative:  when shooting in environments like blue water or dark corners (like in a cave with light in the center)  unsharp corners usually dont give much of a problem.

-DX fish eye on a full frame camera?  So, a full frame format camera will profit most from a large dome and a fish eye lense like the Sigma 15mm made for large sensors. But some DX lenses  like the Tokina 10-17mm will also give good results on a full frame camera, given that you don't use the very short end (10-12mm) and  a  'shaven' Tokina without lenshood. See these three  links  for more  discussions  and information.

 http://wetpixel.com/forums/index.php?showtopic=49728&p=327452  

http://www.uwphotographyguide.com/sigma-15mm-tokina-fisheye-review

http://www.360pano.de/en/tokina_5D.html