Wildlife photography and filming offer opportunities for creative and adventurous people to work outdoors in challenging environments. Professional wildlife photographers however often have to struggle to make a living, especially since wildlife photography is becoming an increasingly popular genre among hobbyists. The introduction of low cost, high-quality HD gear did to video what digital cameras did to photography -- open the floodgates of new talent looking to work cheap, or even for free.
Left: A Carribean reef shark. The most profitable shark from the Bahamas.
This holds for pictures of land animals such as the ‘Big Five’ from the African steppe, as well as the great predators of the sea like whales and sharks, that often form the primary target of UW photographers.
The market The majority of underwater photographers work as freelancers. Talented individuals may sell their work to different media, such as books, magazines, and scientific journals. In rare cases, underwater photographers may be hired as staff photographers for major publications, like diving magazines. Some of them have found clever ways to augment their income. Their work deals with resorts to build websites or develop promotional materials, they lead guided dive tours, they teach photographic seminars, they sell underwater photography gear, etc. But only a very few have succeeded in making enough money exclusively shooting underwater still photographs to pay their bills and maintain their families. Some of them have used their pictures as illustrative material in educational books focusing on topics such as marine biology, famous marine habitats (e.g. the Red Sea, the Bahamas, Galapagos) or technical details of underwater photography, equipment, and Photoshop
Impact on the public In our modern world with its rapidly declining wildlife populations, it is worth considering to what extent the economic benefits from wildlife documentaries and books are balanced with conservation and animal welfare. Photo and film documentaries of wildlife still form an increasingly growing source of income for various media as well as (albeit more modestly) for the individual freelance photographer. Although some of the documentaries have focused on the sensational side of encounters with allegedly dangerous animals or ‘monsters’, others have stimulated a more positive attitude towards creatures living in the wild.
Ethical considerations Showing the beauty of our wildlife may indeed serve to increase the awareness of people of the value and fragility of the natural environment, as long as it incorporates not only the beauty aspect but also the factors that threaten its preservation. An example is the massive public interest stirred by the Blue Planet documentary for plastic pollution, recycling, and environmental damage. The ‘Attenborough effect’ of Blue Planet is indeed a perfect example of a beneficial impact of nature documentaries by its emphasis on environmental protection. Ethical principles developed in the last three decades involve that individual animals are now also afforded some level of moral consideration. Accordingly, economic incentives to protect a species and or environment became an increasingly important element in situations involving various forms of exploitation of wildlife.
Profits from tourist interactions at shark feeding sites. An emerging concern in marine wildlife tourism is the ethics of tourism activities that involve the provisioning of animals. Operators at shark ‘safaris’ often enhance the opportunity to interact with otherwise elusive wild animals, thereby improving the economic value of the site and hopefully also providing an enhanced incentive for protection. Factors that may help to mitigate the ‘guilty pleasure’* (some of us may experience) of commercial exploitation and baiting of wild animals during holidays or professional UW activities. In the Bahamas, for example, the great national winner in the economic picture is the Caribbean reef shark, which was responsible for generating 93.7% of the revenue generated by dedicated shark dives, making this the most economically important species of shark in The Bahamas. The high site fidelity to the Bahama reefs and limited migrations suggest that these subpopulations of C.Perezi remain relatively well protected within the Bahamian shark sanctuary as compared with other apex predators. The second and third on the revenue list are the Great hammerhead and Tiger shark.
*Ziegler, J.A., Silberg, J.N., Araujo, G., Labaja, J., Ponzo, A., Rollins, R., & Dearden, P. (2018). A guilty pleasure: Tourist perspectives on the ethics of feeding whale sharks in Oslob, Philippines. Tourism Management 68: 264-274. Link to original article: https://doi.org/10.1016/j.tourman.2018.04.001
The two golden safety principles for scuba divers are ‘never dive alone’ and ‘always stick to your buddy’. Here, I’d like to briefly comment on these principles, focusing in particular on some drawbacks of buddy and group diving, and conditions that may rather spoil than enhance the safety and the peace of mind of individual recreational divers.
The principle of buddy diving First, and most important is that a buddy system can only be fully effective when the buddies stay close to another, and are familiar with basic rescue operations when one of the couple gets in trouble. This could be a lack of air, getting entangled in a fishing line, problems with controlling the BCD or safety sausage, etc. Staying close to another, maintaining regular eye contact and communicating with hand signals are the crucial conditions to increase safety of diving with your buddy. Bob Halstead once defined it clearly as follows: the buddy system is the situation which occurs when two divers of similar interest and equal experience and ability share a dive, continuously monitoring each other throughout the entry, the dive and the exit, and remaining within such distance that they could render immediate assistance to each other if required. Murky water, darkness or a strong current may even necessitate the use of buddy line: a line or strap physically tethering two scuba divers together underwater to avoid separation
On recreational diving trips the buddy system often serves as an automatic safety rule, imposed by dive operators responsible for the safety of the group. For example, divers that travel alone are often coupled to new buddies, often with different experience or diving skills. To guarantee at least the theoretical possibility that they may assist another when an emergency situation turns up. When a diver is not able to stay close to his buddy, he is likely to be told to stay with the group guided by a dive master. The guided group is a excellent option when diving in more difficult conditions such as low visibility, strong currents, or when exploring new and photogenic diving locations. Here the dive master often plays a useful role in pointing out nice subjects to macro- and wide-angle UW photographers.
Solo diving and UW photography. Often a diver carrying a camera, may be the lone camera diver in the boat. He or she will often experience the situation of being left behind by the pack, moving faster that the photographer. This is even more likely to occur during a drift dive, or when a diving group is moving relatively fast along a reef wall or sandy seafloor. Obviously, with low visibility such a situation will unevitably lead to loss of eye contact with the group. The reason is that the group does not allow the individual diver to linger behind. Let’s face it, it takes patience to get good shots, which is terminally boring for a buddy especially when he/she is not making pictures underwater. Such situations may cause tension for the UW photographer and group, and will necessitate a solo ascent for the solo diver using the sausage to signal the dinghy operator at the end of the dive.
These situations, of course, are less likely to occur during UW photography workshops, where divers share a common interest and diving tempo, and dive operators are more lenient in applying the ‘stay with buddy or group’ rule.
In my 40 year of diving, my best solo-diving experiences are the occasions when I went out on my own in the early morning in my dinghy, to visit diving locations in the Mediterranean. I always selected familiar sites, good weather conditions and viz, with little chance of being disturbed by diving groups. Three lines with snap-hooks hanging from the safely moored boat allowed me hook up my camera, diving rig, and weight belt after the dive. In line with these experiences, I’d like to end with another Halstead quote: Safe diving, from my personal experience, involves avoiding other divers underwater as much as possible so that I will not be troubled by their mistakes and being totally self-sufficient, with redundant systems, so that if even I make a mistake I can easily recover*.
* Of course not ruling out the more pleasant and safe forms of group diving.
Francis, John (19 October 2006). "Buddy System Breakdown". Scuba diving. Retrieved 15 October 2017.
Halstead, Bob (September 1997). "Assume the risk and take the blame" (PDF). SPUMS Journal. 27 (3): 153–4. Retrieved 10 November 2017
Layton, Rick (15 July 2012). "When The Buddy System Fails". DAN Europe. Retrieved 15 October 201
I am not qualified to provide an in-depth technical review of camera lenses. But two interesting and relatively recent expansions of the UW photographers toolkit seemed interesting enough to discuss here. The first concerns a (relatively) new Nikon fish-eye zoom lens. The second the Nikon new mirrorless cameras in the FX (full-frame) format.
Fish eye-zoom Fisheye lenses in UW photography are superb lenses if you want to get really close to your primary target while keeping the background (e.g. the surface, other divers) in the same frame. Fish-eye lenses come in two versions: the fixed focus prime lens and the zoomed fish-eye. With the fish-eye zoom lens, you can change the focal length of the lens. It thus has the ability to take those forced perspective images at the shorter focal length or use a longer focal length to fill more of the frame. On a full-frame camera, it allows you to switch between frame-filling and circular fisheye. But the zoom lens is also useful to reduce its angle of coverage, for example, zooming in to fill your frame with a shark at a 2-meter distance, or with that small colorful fish at a 30-centimeter distance when using the CFWA technique.
A popular example is the Tokina AT-X 10–17mm f3.4-4.5 AF DX – a fisheye zoom lens designed for APS-C sensor cameras, which is also usable on full-frame cameras (see insert: top left). Then comes the newer (larger, heavier and more expensive) Nikon-8-15mm fisheye lens (see insert: top right) that according to some recent expert reviews seems to be a must tot full frame underwater photographers. The lens produces excellent sharp pictures, great colors and offers a circular image at 8mm (floating in a black background) as well as 180 deg diagonal view at 15 mm. The drawback might be that zooming in between 8mm and 15 mm, will show and cut off circle with black corners. A circular view is not everyone’s favorite, but It can offer spectacular artistic images, for example when taking over-under shots of a sunset above a coral reef.
This new lens can also be used on DX (cropped) sensors, like for example the Nikon D7200. On the zoom ring of Nikon 8-15 there is white marker placed at 11 mm, indicating that with a cropped format the lens will work in the range between 11 and 15 mm: at 11 mm it will produce a 180 diagonal view and at 15 mm a 110 deg diagonal view (which is about the same range as the Tokina 10-17). At lower values than 11 values, the image will show a cut off circle with black corners. This is because the DX sensor is 1.5 factor smaller than that of a full-frame FX camera. So 10mm and 15 mm a DX camera would be equivalent to 15 mm and 22 mm on a full-frame camera respectively. Will this lens also work in DSLR housings for cropped sensors that accommodate the Tokina 10-17? I think it should, with the specific right zoom gear and dome port. My preference has always been the 5-inch minidome, allowing you to get very close to your UW subject. A minidome is a half-spherical dome aligned with the nodal point of the lense.
The question, of course, is if the new lens is worth the big investment of around 1000 Euro. Some of us would say: only if it produces superior quality of pictures on a DX camera than the good old Tokina 10-17. The ‘Tok’ is a much cheaper fish eye that for many years has been the workhorse for most cropped camera fish-eye adepts. As one of those, I am really looking forward to some comparative tests of both lenses on a D7200/D7500 camera. But see: https://www.uwphotographyguide.com/content/first-impressions-nikon-8-15mm-fisheye-lens-review and https://wetpixel.com/articles/review-nikon-8-15-mm-f-3.5-4.5-fisheye-lens/P1
The advancement of the mirror-less cameras In the early days of mirrorless cameras, DSLRs simply did most things better. Mirrorless cameras were more compact and much cheaper, but that was it. Almost always, a DSLR could focus faster, shoot faster, had a much better viewfinder, and more often than not produced superior image quality. But with the increased quality of electronic viewfinders, the much smaller weight and size and the bigger sensors the mirrorless camera seems to be gaining ground on the DSLR cameras, which make them no longer simply a more compact (but not always cheaper) alternative.
Many UW photographers in the past including myself have been using the Nikon DSLR camera, either in the full-frame (FX) or cropped (DX) format. Nikon has been making some revolutionary changes by introducing the mirrorless Z6 (24megapixels) and Z7 (45 megapixels) full-frame cameras (see insert lower panel, to compare their size with the Nikon D850, explaining why the Z7 is also known as the 'mini D850'). When directly comparing the Z7 to the Nikon D850, the key drawbacks seem to be slower autofocus in low light settings, slightly less dynamic range, and shorter battery life. One of their best features is its high-resolution electronic viewfinder (EFV) making optical analog viewfinders (OVF) in DSLRs look ancient. While the OFV gives a view through the lens, the EFV gives you a view through the sensor and the option to present a lot of information. The LED screen serving as an additional option to view the live scene, prior to or after your shot. In an underwater housing, the EFV image may still benefit a lot from a 45-degree viewfinder on the back of the housing (see:https://www.backscatter.com/reviews/post/Nikon-Z7-&-Z6-Underwater-Camera-Review).
The Z mount has a larger diameter larger than the F-mount on the DSLR bodies and lies closer to the sensor because of the space saved by skipping the mirror. When combined with an FTZ adapter the Z will also take the new Nikon 8-15 fish-eye discussed above, and older DSLR lenses, even those from the DX (cropped sensor, APS-C) range. Unlike with the DSLR, the Z cameras will automatically apply a DX crop, so that the DX image always fills the finder. The latest AF-S (1984 - today) and AF-P lenses seem to work nicely. However, older DX lenses, like the 10.5mm fisheye will need a manual focus (according to the Ken Rockwell reviews). There are no tests yet of the performance of third-party fish-eye lenses, such as the Tokina.
Nikon has just brought out an even cheaper mirrorless APS-C (DX) camera called Z50 with an electronic viewfinder. Comparable to the D750 in resolution (20 megapixels), but smaller and lighter and with a Z mount. No UW housings are yet available for this model. To use your old DX lenses, you again need the FTZ adapter. So, Nikon will now be creating four separate lines of lenses: APS-C and full-frame for DSLR, and APS-C and full-frame for mirrorless cameras. So far, the big promise of the new mirrorless series is that they provide a lighter and smaller camera (allowing more compact housings, although the bigger lenses would mean an increase of weight and volume again) and a large bright electronic viewfinder, without losing much quality as compared with the DSLR full-frame Nikon workhorses. But some critics have argued that Z-50 is is a mistake since you are not able to profit from the larger Z-mount with a smaller sensor. And that it will create extra costs because one needs to buy new lenses or an adapter for your old DX (F mount) lenses.
What to choose will become much more difficult for UW shooters in the near future. Since the cost of full-frame sensors has decreased dramatically over the last few years a budget FX camera would compete head to head with a high-end DX camera
One of the most dramatic signs of climate change is the melting of ice in the Arctic ocean. Increases in temperatures and reductions in winter sea ice will likely affect the reproduction, growth, and development of krill and fish, leading to further changes in population sizes and distributions. A potential spin-off is that in northern Siberia and Alaska melting ice will create a richer banquet of nutritious ice algae. Although the melting ice is bad news for the polar bears, released ice algae, that live in water pockets at the bottom of the ice, are eaten by animal plankton, which in turn will become food for fish and squid, which forms the diets of narwhals and beluga whales.
The other side of the coin is the impact of the imminent industrial exploitation of the Arctic. The melting Arctic ice offers great promises for the economies of superpowers China, the US, and Russia (see also my earlier Blog). For cargo ships an ice-free Northern Sea Route is much shorter than the Suez canal, to reach remote target countries. For years, Russia has been using shallow-draft nuclear-powered icebreakers to aid shipping along the frozen Arctic waterways north of Siberia. But an ice-free passage for cargo ships is not the only promise. The exploitation of rich supplies of minerals such as gold and the immense gas fields by Gazprom is another. Future drilling platforms and settlements along the coast of Northern Siberia will need electricity. To fulfill this need, an enormous floating nuclear 70-megawatt power plant, Akademik_Lomonosov, equipped with two reactors is now ready to be towed towards the most northern ‘boom’ town Pevek. Pevek is located about 14.000 kilometers north of the town of Murmansk at the polar circle (see small circles in the picture).
And the foreseeing Russians want more. Russia now claims the Lomonosov Ridge in the Arctic Ocean to be depart of part of the Russian Federation's adjacent continental shelf. The Ridge spans 1,800 kilometers, about 200 kilometers wide, and divides the Arctic Basin into the Eurasian Basin and the Amerasian Basin (see the dashed area in the figure) Russia formally submitted its request to the United Nations arguing that the shelf is an extension of the Eurasian continent.
Some future investors feel that investing so much money in the exploitation of the Arctic continental shelf is a risky affair, and there are doubts if the Northern route might be profitable in the longer term. Moreover, in a period when the attitude of the general public and political arena moves toward reducing the negative environmental impact on climate change, exploiting the Arctic does not seem such a good idea. The presence of nuclear-powered vessels and power plants in the former pristine areas also creates risks for nuclear spills and might even lead to a ‘floating Tsjernobyl’, as environmentalists have warned.